It features some of opera’s most immediately recognisable music, including ‘Women abandon us’ (‘La donna è mobile’). He surprises them by returning, but Marullo convinces him that they are planning to abduct the wife of Count Ceprano who lives nearby. 1983: Thomas Allen (Rigoletto), Fiamma Izzo D'Amico (Gilda), 1984: Renato Bruson (Rigoletto), Edita Gruberova (Gilda), Neil Shicoff (Duca di Mantova), Brigitte Fassbaender (Maddalena), Robert Lloyd (Sparafucile), Kurt Rydl (Monterone); Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli - (Philips), 1988: Leo Nucci (Rigoletto), June Anderson (Gilda), Luciano Pavarotti (Duca di Mantova), Shirley Verrett (Maddalena), Nicolai Ghiaurov (Sparafucile), Natale de Carolis (Monterone); Coro e Orchestra del Teatro Comunale di Bologna, Riccardo Chailly - (Decca), 1988: Giorgio Zancanaro (Rigoletto), Daniela Dessi (Gilda), Vincenzo La Scola (Duca di Mantova), Martha Senn (Maddalena), Paata Burchuladze (Sparafucile), Giorgio Surjan (Monterone); Coro e Orchestra del Teatro alla Scala di Milano, Riccardo Muti - (EMI Classics), 1993: Vladimir Chernov (Rigoletto), Cheryl Studer (Gilda), Luciano Pavarotti (Duca di Mantova), Denyce Graves (Maddalena), Roberto Scandiuzzi (Sparafucile), Ildebrando D'Arcangelo (Monterone); The Metropolitan Opera Orchestra and Chorus, James Levine - (Deutsche Grammophon), 1993: Alexander Agache (Rigoletto), Leontina Vaduva (Gilda), Richard Leech (Duca di Mantova), Jennifer Larmore (Maddalena), Samuel Ramey (Sparafucile), Alastair Miles (Monterone); Welsh National Opera Orchestra and Chorus, Carlo Rizzi - (Teldec). Rigoletto has brought Gilda to Sparafucile to prove her lover’s faithlessness. She follows his instructions and sets out into the night while Rigoletto enters the inn after the Duke leaves. After proclaiming the fickleness of women, he showers attentions on Maddalena, the assassin’s sister, as Rigoletto tries to comfort his despairing daughter. That night, she dresses in men's clothes and takes his place. That night, she dresses in men's clothes and takes his place. Hearing footsteps, he rushes off, leaving Gilda thinking lovingly of his name. Sparafucile thinks she is the Duke and kills her. They will bag the body together and give it to the duped Rigoletto. Rigoletto is an Italian opera in three acts. INFORMATION. The most famous aria (song) from the opera is "La donna è mobile" ("Women always change their minds"). 1979: Piero Cappuccilli (Rigoletto), Ileana Cotrubas (Gilda). Gilda returns in her disguise in time to overhear Maddalena begging her brother to spare the handsome stranger’s life. On his way home, he is confronted by Sparafucile, a professional assassin, who offers him his services. Now, with his daughter seduced by the dissolute Duke, Rigoletto is out for revenge. The Duke of Mantua sings this unforgettable aria in the third act of Verdi's Rigoletto as he flirts with Maddalena, the sister of the assassin Sparafucile. Woman is fickleLike a feather in the wind,She changes her voice — and her mind.Always sweet,Pretty face,In tears or in laughter, — she is always lying.Always miserableIs he who trusts her,He who confides in her — his unwary heart!Yet one never feelsFully happyWho on that bosom — does not drink love!Woman is fickleLike a feather in the wind,She changes her voice — and her mind,And her mind,And her mind! Aaron M. Green is an expert on classical music and music history, with more than 10 years of both solo and ensemble performance experience. Rigoletto tells Gilda to disguise herself as a man and escape to a nearby town. Gilda and the Duke are in love. Sparafucile agrees to deceive Rigoletto by substituting the corpse of the next person who appears. He also warns Gilda’s companion, Giovanna, not to allow anyone to enter the house while he is out. Lossless is available in FLAC and ALAC (For Mac). At the stroke of midnight, Rigoletto pays the assassin and reserves for himself the satisfaction of throwing the sack containing his enemy’s corpse into the river. Meanwhile, another acquaintance, Marullo, tells his friends of a surprising discovery: he has heard that Rigoletto has a mistress hidden away at home.

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