No need to make alterations/modifications to your guitar. For example, if you wanted to place a soft, arpeggiated nylon string guitar behind a dynamic folk vocal, you could reduce its level so that it’s quieter than the vocal and then send a significant amount of the guitar’s signal to an aux track containing a reverb with a long decay time. Now duplicate this reverb onto the second aux track, label it “Long Reverb,” and give the reverb a long decay time. My default mixing template has two reverbs on aux tracks, which are low-cut at 200 Hz, and high-cut at 2500 Hz. Your purchases also help protect forests, including trees traditionally used to make instruments. You can hear how the reverb is filtered quite clearly at the end of the following two audio examples. Not Enough CPU for Mixing? There are also dry backup vocals panned hard left and right to provide context for the guitar. This stereo field is an illusory 3D space created between your speakers that will enable you to perceive your song as having width, height, and depth. A compressor with a fast attack like the Waves CLA-76 Compressor / Limiter will work well for this application. If your reverb doesn’t have a mono option, you can use a utility device to perform this processing instead. If the person clapping their hands walks 100 yards away, the clapping will become quieter and the energy making up the transient part of the clap will have time to decay before it reaches your ears, applying peak compression to your mix mimics this effect. It might also have some built-in effects like reverb that will give your guitar the sound you want. While many venues and performers already have powered speakers or PA systems, these don’t always play well with acoustic instruments. As demonstrated previously, layering dry sounds on top of reverberant sounds works just fine. A great way to overcome mud is to send some signal from a stereo guitar recording to a mono reverb. Bring it anywhere. Without that EQ, any significant volume will cause feedback. Recording acoustic guitar in mono is quite common, but so is recording acoustic guitar in stereo. If you find yourself playing a lot of gigs with an acoustic instrument, you’ll probably want to look into acoustic amps. It won’t damage your guitar or your electric amp, but it probably won’t sound great either. You can beat feedback with various EQ tools or a soundhole cover, but these solutions likely won’t sound as good as an acoustic amp. Watch what it sounds like using the Aspri Reverb with & without an amp: …even Jennifer Lopez’ and Marc Anthony’s lead guitarist, Mario Sebastian, used the Aspri on stage at the Latin Billboard Awards for the world premiere of Marc Anthony’s hit song “Vivir Mi Vida”. Not only will these techniques allow you to make space for acoustic guitar in your mix, but they can just as quickly be used to fill space when working with a sparse arrangement. Some of the most popular brands for acoustic guitar amps include Fender, Fishman, Blackstar, Roland, Marshall, Peavey, Orange, Rivera, and more. Multiple factors come into play when modeling a room using reverb, but generally speaking, the longer the decay time and wetter the reverb signal, the further back along the z-axis the element is perceived. You should notice the diffused sound out to the sides, and the main body of the guitar in the center of the stereo image. A brighter reverb may require a filter that cuts away more of the lows, such as between 300-500 Hz, and that allows frequencies of 3500+ Hz to pass through. Oops, looks like you forgot something. In some situations, the goal may be to find a way to make room for additional elements in a dense mix, while other times, the goal may be to fill out a sparse mix using creative effects. This content is not available in your country. The following audio example demonstrates a chord progression played three times. An acoustic amp is a guitar amplifier that was designed and built with the needs of acoustic instruments in mind. Below, we'll address some common questions you might be facing when looking for an acoustic amplifier. The following audio example is similar to the last one, but the vocals are no longer dry; they’ve been treated like background vocals. One Aspri for all of your guitars. When it comes to acoustic guitar, which often stands alone with a vocal, it’s vital that you have some different ways not just to make space for the guitar, but to fill space as well. The main difference between an acoustic amp and an electric amp is that the acoustic amp was built for acoustic instruments, while the electric amp was built for electric instruments. You may find this content helpful: To be able to view it. No more tangled cords – it’s completely unplugged. Acoustic amps guitars from builders like Fishman, Marshall, Fender and more. Reverb is a fundamental mixing tool that can be used in many different creative and technical ways. By positioning the reverb in the center of your stereo image, you allow the clarity of the dry signal to shine through on the sides. Your purchases help youth music programs get the gear they need to make music. The biggest issue is tone. This is a rather laid back and subtle way of adding stereo width to your acoustic guitar recordings. Similarly, you could pan a mono acoustic to the left side of the mix, send it to a mono reverb, and pan the reverb track to the right side. Just clip on & enjoy. I find that this is a good starting point for most mixes, and I can tweak the EQ settings based on the direction of the track. 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