Italian. secondhandsongs.com. It was covered by David Houston [1], The Thought, … secondhandsongs.com. written by Gene Clark, David Crosby, Roger McGuinn Of course, that’s why it works — especially in a nod to the cosmic here, where a backing band working in a classic turn-of-the-’70s soul jazz idiom (and at a breakneck pace, at that) gives him a lot of room to play with the possibilities of the borderline atonal. The Byrds originally recorded Eight Miles High written by Gene Clark, David Crosby and Roger McGuinn and The Byrds released it on the single Eight Miles High in 1966. Eight Miles High by Index was written by Gene Clark, David Crosby and Roger McGuinn and was first recorded and released by The Byrds in 1966. Flesh + Blood was one of those commercial hits that turfed out critically — save an enthusiastic review from Greil Marcus, who hailed it as the comeback of “summer music” — and hasn’t earned much retrospective enthusiasm since, maybe because the Blitz Kids out of London were in the process of remaking and remodeling the Roxy sound in newer, more striking ways. Winnipeg’s Neil Merryweather had one of those careers, building a discography throughout the ’60s and ’70s that mutated from psych to glam to hard rock to prog and back with little regard for format or niche — if the cape fits, wear it. I’m not sure if there’s ever been a more unlikely instrument to make its way into the world of jazz than the bagpipe. It’s not quite accurate to call glam the hooky little bastard offspring of psychedelia — different drugs and all — but colorfully dressed tongue-in-cheek nonconformists heavy into sci-fi and hi-tech distorto-rock will always have at least a few things linking them across the void from one phase to the next. SecondHandSongs is building the most comprehensive source of cover song information. It was covered by Jimmy Robinson, Rufus Harley, The … Not that it matters much, since his guitar playing was spectacular enough that he could mutter half-assed Borat impressions through a broken talkbox and still come away converting even the most folk-apathetic listener. Imagine Roger McGuinn’s Coltrane/Shankar/Szabo tangle-of-wires guitar-raga intro — also played on a 12-string — carefully pulled apart and rearranged to cascade in the breeze instead of careening toward deep space and you’ve got at least something of a notion — a foggy one, maybe, but one unbounded by the familiar riffs he happily avoids. Italian. Do NOT follow this link or you will be banned from the site. Album If you want to hear the difference between living and standing alone put into as breath-snatching a way as possible, this 7″ A-side that Hüsker Dü released might actually be (depending on your mood, the weather, and how down you are for “Something I Learned Today”) the most blistering example of what made them great circa ’84, as well as the greatest cover version out of all these. Phish bassist Mike Gordon and renowned guitarist Leo Kottke shared video of The Byrds’ “Eight Miles High.” The cover appears on Kottke and Gordon’s … For a song that's been so often reduced to '60s Montage Cliche #00001B (Note: Please use only in case of rights restrictions for the Youngbloods' "Get Together"), the Byrds' "Eight Miles High… 1969, Eight Miles High English, Eight Miles High And if there has been, it’s unlikely that whoever played it did it in as transcendently surprising a way as Rufus Harley did with his. © 2003-2020 Colosseum written by Gene Clark, David Crosby, Roger McGuinn Here’s an idea: What if the scenario played at in the lyrics of “Eight Miles High” was intensely terrifying? Aaaaaaand then, whoops, here comes the drum solo. Eight miles turns out to be nothing but a decent start. For a song that’s been so often reduced to ’60s Montage Cliche #00001B (Note: Please use only in case of rights restrictions for the Youngbloods’ “Get Together”), the Byrds’ “Eight Miles High” is still something of a miracle — a successful translation of avant-garde jazz into pop music, a harmonic convergence where every singer and player is at their best, and a song that actually feels more resonant when you discover it’s not about drugs.

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