When he was eleven, his father left the family and moved back to Nigeria. He also lives and works in London and Brooklyn. [8] This project involved the coming together of artists, producers and musicians of minority ethnic groups (Asian and African) in an attempt to expose the music that may be unheard in other spaces. [21] In 2006 the Charity Commission censured the Tate for this purchase. Chris Ofili is famous for shocking the world by using elephant dung on a painting of the Virgin Mary, however as well as being provocative, his work is embroiled in a nuanced and complex set of religious and socio-political issues. [1] Ofili was for some years educated at St. Pius X High School for Boys, and then at Xaverian College in Victoria Park, Manchester. In intricately detailed works, Ofili deploys inventive figuration rendered in paint and collaged materials such … [11], One of his paintings, The Holy Virgin Mary, a depiction of the Virgin Mary, was at issue in a lawsuit between the mayor of New York City, Rudy Giuliani, and the Brooklyn Museum of Art when it was exhibited there in 1999 as a part of the "Sensation" exhibit. In the autumn of 1992, he got a one-year exchange scholarship to Universität der Künste Berlin. Art UK is the online home for every public collection in the UK. He was one of the Young British Artists. New Art from London at the Walker Art Center. [5] They predominantly feature heads of men and women, as well as some studies of flowers and birds. The painting is Ofili's attempt to deal with his childhood questions about race and virgin mothers, in particular which women are permitted to be holy, to be pure, and to be considered 'good mothers'. UNTITLED [TWO WORKS], 1998. artnet and our partners use cookies to provide features on our sites and applications to improve your online experience, including for analysis of site usage, traffic measurement, and for advertising and content management. He was one of the Young British Artists. Ofili rose to prominence in the 1990s for his complex and playful multi-layered paintings, which he bedecked with a signature blend of resin, glitter, collage, and, often, elephant dung. Popcorn Shells by Chris Ofili, 1995 Arts Council Collection. [12] Ofili was included in the 2019 edition of the Powerlist, ranking the 100 most influential Black Britons. Discover this artist. Do Routine. Ofili studied cave paintings there, which had some effect on his style. Ofili completed a foundation course in art at Tameside College in Ashton-under-Lyne in Greater Manchester and then studied in London, at the Chelsea School of Art from 1988 to 1991 and at the Royal College of Art from 1991 to 1993. [19] Steven A. Cohen then owned it for three years and donated the painting to the Museum of Modern Art.[20]. Discover artworks, explore venues and meet artists. By continuing to use our sites and applications, you agree to our use of cookies. View Chris Ofili’s 525 artworks on artnet. Christopher Ofili, (born 10 October 1968) is a British Turner Prize-winning painter who is best known for his paintings incorporating elephant dung. Ofili's work is often built up in layers of paint, resin, glitter, dung (mainly elephant) and other materials to create a collage. Wash Face. [17] These were formed into shapes reminiscent of the cherubim and seraphim commonly depicted in images of the Immaculate Conception and the Assumption of Mary. [22] In 2015, art collector David Walsh sold Ofili's 8-foot-tall The Holy Virgin Mary for 2.9 million pounds at Christie's. [3] They divorced in 2019. Chris Ofili is a British contemporary painter, working in a vibrant palette and a variety of applied textures to examine both the contemporary and historical black experience. [14] Significant solo exhibitions include the Arts Club of Chicago (2010), Kestnergesellschaft, Hanover (2006), the Studio Museum in Harlem, New York (2005), and Southampton City Art Gallery (1998). [2] Ofili completed a foundation course in art at Tameside College in Ashton-under-Lyne in Greater Manchester[1] and then studied in London, at the Chelsea School of Art from 1988 to 1991 and at the Royal College of Art from 1991 to 1993. He studied at Tameside College and then at the Chelsea School of Art and the Royal College of Art in London. Ofili has also had numerous solo shows since the early 1990s, including at the Serpentine Gallery. In 1998, Ofili won the Turner Prize, and in 2003 he was selected to represent Britain at the Venice Biennale of that year, where his work for the British Pavilion was done in collaboration with the architect David Adjaye. Now Paint", "An Artist's Gallery of Ideas: Chris Ofili's Watercolors", "db artmag - all the news on Deutsche Bank Art / db artmag - alle Infos zur Kunst der Deutschen Bank", "Chris Ofili's Blue Devils: between black men and the police", "List of 100 most influential black people includes Meghan Markle for first time", "Elephant dung artist gives a little back", "Christie's Sells Warhol 'Silver Liz' for GBP 6.8 Million", Ofili’s Madonna Sets Record at Christie’s $150.3 Million Sale, "Chris Ofili: 'I wander deep into the forest - where it's scary'", Everyone I Have Ever Slept With 1963–1995, The Physical Impossibility of Death in the Mind of Someone Living, https://en.wikipedia.org/w/index.php?title=Chris_Ofili&oldid=981494811, Commanders of the Order of the British Empire, Pages containing London Gazette template with parameter supp set to y, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 2 October 2020, at 17:21. These paintings often employed the use of a silver, acrylic background with layers of dark oil pigment on top.

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