It drew much attention and admiration. Pleased with the painting, Madame Charpentier used her influence to ensure that it was hung in a choice spot at the Salon and introduced Renoir to her friends, several of whom commissioned work from him. Georges was a wealthy publisher who counted Flaubert, Zola, Maupassant and the Goncourt brothers among his authors. Madame Georges Charpentier and Her Children (1878) is an oil on canvas by Pierre-Auguste Renoir. Renoir’s brother Edmond tells us that the picture was ‘painted at home. Other visitors included the art critic Théodore Duret, the art collector Charles Ephrussi, the composers Camille Saint-Saëns and Jules Massenet, and the actor Sarah Bernhardt. Mme Charpentier held a salon every Friday to which she invited artists, writers and politicians; Renoir and Manet received invitations but it was Renoir who became a particular favorite. But as always with Renoir, the real star of the show is the paint – that marvellous profusion of colour with which he assails the canvas. On Fridays from the mid 1870s to the early 1890s, Charpentier ran a political and literary salon at her house to which she invited writers, artists, musicians, actors, and politicians. Biography. The still life of flowers, fruit and lustered glassware on the occasional table is rendered with extraordinary facility, a huge range of colour being used to convey the pattern of the vase, the flowers, and in particular the reflections in the set of glasses and jug. Marguerite-Louise Lemonnier married Georges Charpentier in 1872 and very soon the couple were blessed with a daughter, Georgette-Berthe, followed three years later by … Artists who came ranged from traditional realists like Carolus-Duran and Jean-Jacques Henner to Impressionists such as Édouard Manet, Claude Monet, Edgar Degas, Alfred Sisley, Gustave Caillebotte, and Pierre-Auguste Renoir. Publisher Georges Charpentier commissioned the painting. "The Field of Art: Modern Foreign Paintings at the Metropolitan Museum, Some Examples of the French School." Madame Charpentier was known for her sophisticated literary salons in which she entertained writers like Flaubert and Zola, and this formal daywear dress would be suitable for just such a gathering. Sources on that page include: sfn error: no target: CITEREFDistel1990 (, sfn error: no target: CITEREFKostenewitsch1995 (, sfn error: no target: CITEREFProust1927 (, sfn error: no target: CITEREFMcQuillan1986 (, Marion and Valabregue in Search of a Motif to Paint, The Battle of the Kearsarge and the Alabama, https://en.wikipedia.org/w/index.php?title=Marguerite_Charpentier&oldid=980992375, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 29 September 2020, at 17:24. Through her he was introduced to an affluent and fashionable circle where he found a ready supply of patronage, not least from the Charpentiers themselves for whom he painted five portraits, this wonderful piece, finished in 1878, being the most celebrated. So much the better; poverty is so hard.’ But perhaps the highest praise came from Marcel Proust, who refers to this painting in À la Recherche du Temps Perdu, comparing it to ‘Titian at his best.’, 1878 Edward Burne-Jones: Laus Veneris, Newcastle upon Tyne, Laing Art Gallery, 1878 Mary Cassatt: Little Girl in a Blue Armchair, Washington, National Gallery of Art. Burlington Magazine 12 (December 1907), pp. [CDATA[ He displayed it at the Salon in 1879. Pierre-Auguste Renoir: Madame Georges Charpentier and her Children - 1878 New York, Metropolitan Museum of Art. In 1871, she married the publisher Georges Charpentier and they had four children: Georgette, Marcel, Paul, and Jeanne. Marguerite Charpentier (March 1, 1848 – November 30, 1904) was a French salonist and art collector who was one of the earliest champions of the Impressionists, especially Pierre-Auguste Renoir.

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