[23], Cameron's portraits of men were a kind of hero-worship. With the foundations of her practice established, Cameron began to work in more nuanced, unique, and unconventional ways, but this photograph remains iconic, as it was her first success in both the mastery of photographic technique and in her ongoing aesthetic interest in soft blurriness. She was the second of seven sisters, born into a wealthy, highly cultured, and well-educated family. New York: Abbeville Press Publishers, 2010. p. 52. Drawing inspiration from historical and contemporary writers and painters, Cameron also staged scenes from history or literature, such as her photographic illustrations of Tennyson’s Idylls of the King, and regularly enlisted family members, friends, and domestic servants as models for Madonnas, Christ figures, and angels, Mary Hiller and Four Other Women ("Have we not heard the Bridegroom is so sweet! [1][3][4][9], In 1835, after suffering several illnesses, Julia visited the Cape of Good Hope in South Africa with her parents to recover. [1], Her father was a British official from England in India while working for the East India Company. Julia Margaret Cameron was a mighty talent with a mighty heart; her photographs typically have a soft focus whilst her mind and eye have an acute sharpness, the combination of which created a pioneering quality in her work that still endures today. Julia Margaret Cameron (née Pattle; 11 June 1815 – 26 January 1879) was a British photographer who is considered one of the most important portraitists of the 19th century. [3][11] A private gate connected the residences and the two families soon started entertaining well-known personalities with music, poetry readings, and amateur plays, creating an artistic scene much as what was previously found at Little Holland House. Cameron wrote, "I longed to arrest all beauty that came before me, and at length the longing has been satisfied. For the Metropolitan Museum of Art's Heilbrunn Timeline of Art History, Malcolm Daniel writes: Her artistic goals for photography, informed by the outward appearance and spiritual content of fifteenth-century Italian painting, were wholly original in her medium. The photograph thus taken has been almost the embodiment of a prayer.”1, Introduction by Kristen Gaylord, Beaumont and Nancy Newhall Curatorial Fellow, Department of Photography, 2016. It's a nest of proraphaelites, where Hunt, Millais, Rossetti, Watts, Leighton etc, Tennyson, the Brownings and Thackeray etc and tutti quanti receive dinners and incense, and cups of tea handed to them by these women almost kneeling. She married Charles Hay Cameron in 1838 and brought up six children. If a burgler came and he were beautiful, I should say to him: Take my fish knives! Julia Margaret Cameron (British, born India, 1815 - 1879); J. Paul Getty Museum, Los Angeles, California For of course the composition recalls the great masters like Raphael and Leonardo da Vinci, as well as iconic Byzantine depictions of the same subject. Colnaghi. Julia Margaret Cameron, British photographer who is considered one of the greatest portrait photographers of the 19th century. Among her sitters were her friends the poets Alfred Lord Tennyson and Henry Wadsworth Longfellow, the astronomer Sir John Herschel, the writer Thomas Carlyle, and the scientist Charles Darwin. Furthermore, in the artist's particularly sensitive rendering of the child, the photograph interestingly looks forward to modern images in particular those of Dorothea Lange and Sally Mann. By visiting our website or transacting with us, you agree to this. Her tenacity and eccentricity eventually became well known; she allegedly followed promising-looking people on the streets until they consented to model for her. Julia Margaret Cameron is well-known for her dramatic portraits and narrative photographs, which depict scenes from literature and religion. Sappho gazes to the right, her hand slouched over a Lyre, which symbolizes lyric poetry. This website stores cookies on your computer. From overcoming oppression, to breaking rules, to reimagining the world or waging a rebellion, these women of history have a story to tell.
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